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Humour, sympathy and rigour
I’m on the train to Brighton going to Professor Norbert Lynton’s funeral. Norbert, who was variously art critic for the Guardian, curator at the Hayward Gallery, art history professor at Sussex University and author of numerous books was also my chair for six years when I was running Charleston, the Sussex home of Bloomsbury Group artists Vanessa Bell and Duncan Grant.
Going, going, gone.
It’s like Christmas everyday at the office right now. We are holding an auction on November 29th and have invited all the artists who have been connected with the Bluecoat in the past to make and donate a work of art to us. The list of artists is impressive and so when the post arrives there is sudden excitement to see what has arrived. As the packages are opened I can, just for a minute, imagine them on my wall.
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Art in a City
Half our office didn’t get in to see the Turner Prize at the private view last week as the queues snaked out from the Tate, across the bridge and back to the Maritime Museum and it would have been over by the time they had got in. I’d been lucky enough to go the night before and there was a real buzz in the building. The Prize was in Liverpool and a marker was being put down for 2008. It felt substantial and a little glamorous.
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It's a male one you know.
I’m writing this from the new office. The builders have worked like crazy to get the space ready and then Sam, Sue and Dani from our office worked miracles over the weekend to get everything moved over. Its freezing cold as there is no heating but I’m warmed by the excitement of the move.
