Images by Sophie Traynor.

Let's Make Films: The Director Series

Join Let’s Make Films for their new weekly series exploring filmmakers, with sessions offering a deep creative breakdown of their films, influence and wider place in cinema.

Time

5:00pm - 8:00pm

Date

Tue 01 September - Tue 15 December 2026

Weekly sessions from Tue 1 Sep - Tue 15 Dec

Led by Sammy Holden, The Director Series focuses on four directors: David Lynch, Agnès Varda, Jafar Panahi and Kiyoshi Kurosawa. Each month explores a single filmmaker, with sessions offering a deep creative breakdown of their films, style, themes, visual language, sound, editing, influence and wider place in cinema.

£8 per session

David Lynch: Dreams & Subconscious Logic

The Director Series begins with the dream logic of Mulholland Dr., before we build a short dream sequence of our own

Tue 1 Sep, 5-8pm
£8 (booking required)

David Lynch: Industrial Sound & Uneasy Spaces

Using selected extracts from Mulholland Dr., we look at how Lynch uses sound to disturb an ordinary space before anything is revealed.

Tue 8 Sep, 5-8pm
£8 (booking required)

David Lynch: Doubles & Fractured Identity

Through the Mystery Man scene in Lost Highway, we examine how performance and film form can make a character’s identity begin to slip.

Tue 15 Sep, 5-8pm
£8 (booking required)

David Lynch: Making the Influence Your Own

For our final Lynch session, we take what his films have taught us and use it to shape a new scene without copying their familiar surface.

Tue 22 Sep, 5-8pm
£8 (booking required)

Agnès Varda: The Everyday as Film Material

Beginning with The Gleaners and I, we look at how Varda builds cinema from the objects, routines and details that people often pass by.

Tue 6 Oct, 5-8pm
£8 (booking required)

Agnès Varda: Voice, Memory & Self-Portrait

Through The Gleaners and I, we look at how a filmmaker can enter their own work without taking control of everything it means.

Tue 13 Oct, 5-8pm
£8 (booking required)

Agnès Varda: People, Politics & Care

Using Black Panthers, we look at how a political portrait can hold a clear point of view while giving the person on screen room to speak for themselves.

Tue 20 Oct, 5-8pm
£8 (booking required)

Agnès Varda: Serious Subjects, Playful Form

For our final Varda session, we explore how a serious subject can meet a playful form without losing its meaning.

Tue 27 Oct, 5-8pm
£8 (booking required)

Jafar Panahi: Restrictions as Structure

Beginning with This Is Not a Film, we examine how Panahi uses one room, an absent film and the limits of the frame.

Tue 3 Nov, 5-8pm
£8 (booking required)

Jafar Panahi: Cars, Rooms & Moral Pressure

Using the opening of Taxi Tehran, we look at how one fixed camera and a cramped car can hold an argument much larger than the space itself.

Tue 10 Nov, 5-8pm
£8 (booking required)

Jafar Panahi: Where Fiction Meets Documentary

Returning to Taxi Tehran, we examine how a film can move between observation and construction, and the responsibility that comes with bringing real life into the work.

Tue 17 Nov, 5-8pm
£8 (booking required)

Jafar Panahi: Urgency at Low Volume

For the final Panahi session, we ask how a film can feel urgent without becoming overtly loud.

Tue 24 Nov, 5-8pm
£8 (booking required)

Kiyoshi Kurosawa: Atmosphere & Quiet Fear

Using the Forbidden Room sequence from Pulse, we look at how distance and time can make an ordinary room frightening without a jump scare.

Tue 1 Dec, 5-8pm
£8 (booking required)

Kiyoshi Kurosawa: Technology, Loneliness & Unseen Threat

Through Pulse and Cure, we ask what carries more fear: seeing the threat or only sensing that it has entered the room.

Tue 8 Dec, 5-8pm
£8 (booking required)

Kiyoshi Kurosawa: The Slow-Burn Clock

Using Cure, we trace how small changes in time and control build dread without rushing towards a conventional payoff.

Tue 15 Dec, 5-8pm
£8 (booking required)